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Du Maurier Maurier's Short Theatre Stories Adapted Including

Front Dame Daphne Du Maurier
Back 1907 89
Novelist

Dame Daphne du Maurier, Lady Browning, DBE (/duː ˈmɒrieɪ/; 13 May 1907 – 19 April 1989) was an English author and playwright

Although she is classed as a romantic novelist, her stories have been described as "moody and resonant" with overtones of the paranormal. Her bestselling works were not at first taken seriously by critics, but have since earned an enduring reputation for narrative craft. Many have been successfully adapted into films, including the novels Rebecca, My Cousin Rachel, and Jamaica Inn, and the short stories "The Birds" and "Don't Look Now/Not After Midnight".

The novel Rebecca (1938) was one of du Maurier's most successful works. It was an immediate hit, selling nearly 3 million copies between 1938 and 1965. The novel has never gone out of print, and has been adapted for both stage and screen several times. In the U.S. Du Maurier won the National Book Award for favourite novel of 1938, voted by members of the American Booksellers Association. In the UK, it was listed at number 14 of the "nation's best-loved novel" on the BBC's 2003 survey The Big Read.

Other significant works include The Scapegoat, The House on the Strand, and The King's General. The last is set in the middle of the first and second English Civil Wars, written from the Royalist perspective of Du Maurier's adopted Cornwall. Unusually for du Maurier it has a female narrator.

Several of Du Maurier's other novels have also been adapted for the screen, including Jamaica Inn, Frenchman's Creek, Hungry Hill, and My Cousin Rachel. The Hitchcock film The Birds (1963) is based on a treatment of one of her short stories, as is the film Don't Look Now (1973). Of the films, du Maurier often complained that the only ones she liked were Hitchcock's Rebecca and Nicolas Roeg's Don't Look Now.

Hitchcock's treatment of Jamaica Inn was disavowed by both director and author, due to a complete re-write of the ending to accommodate the ego of its star, Charles Laughton. Du Maurier also felt that Olivia de Havilland was wrongly cast as the anti-heroine of My Cousin Rachel. Frenchman's Creek fared better in a lavish Technicolor version released in 1944. Du Maurier later regretted her choice of Alec Guinness as the lead in the film of The Scapegoat, which she partly financed.

Du Maurier was often categorised as a "romantic novelist", a term that she deplored, given her novels rarely have a happy ending, and often have sinister overtones and shadows of the paranormal. In this light, she has more in common with the "sensation novels" of Wilkie Collins and others, which she admired. The obituarist Kate Kellaway wrote: "Du Maurier was mistress of calculated irresolution. She did not want to put her readers' minds at rest. She wanted her riddles to persist. She wanted the novels to continue to haunt us beyond their endings."

Du Maurier's novel Mary Anne (1954) is a fictionalised account of her great-great-grandmother, Mary Anne Clarke née Thompson (1776–1852), who, from 1803 to 1808, was mistress of Frederick Augustus, Duke of York and Albany (1763–1827). He was the "Grand Old Duke of York" of the nursery rhyme, a son of King George III, and brother of King George IV and King William IV. The central character of her last novel, Rule Britannia, is an aging actress, thought to be based on Gladys Cooper (to whom it is dedicated).

Du Maurier's short stories are darker: "The Birds", "Don't Look Now", "The Apple Tree", and "The Blue Lenses" are finely crafted tales of terror that shocked and surprised her audience in equal measure. As her biographer Margaret Forster wrote, "She satisfied all the questionable criteria of popular fiction, and yet satisfied too the exacting requirements of 'real literature'."

The discovery, in 2011, of a collection of du Maurier's forgotten short stories, written when the author was 21, provides some insight into her mature style. One of them, The Doll, concerns a young woman's obsession with a mechanical male sex doll; it has been deemed by du Maurier's son Kit Browning to be "quite ahead of its time".

In later life, she wrote non-fiction, including several biographies such as Gerald, her father's biography. The Glass-Blowers traces her French Huguenot ancestry and vividly depicts the French Revolution. The du Mauriers traces the family's move from France to England in the 19th century.

The House on the Strand (1969) combines elements of "mental time-travel", a tragic love affair in 14th-century Cornwall, and the dangers of using mind-altering drugs. Her final novel, Rule Britannia (1972), satirises resentment of British people in general and Cornish people in particular at the increasing U.S. dominance of Britain's affairs.

Plays
Du Maurier wrote three plays. Her first was an adaptation of her novel Rebecca, which opened at the Queen's Theatre in London on 5 March 1940 in a production by George Devine, starring Celia Johnson and Owen Nares as the De Winters and Margaret Rutherford as Mrs Danvers. After 181 performances, the production transferred to the Strand Theatre, with Jill Furse taking over as the second Mrs De Winter and Mary Merrall as Mrs Danvers, with a further run of 176 performances.

In 1943 she wrote the autobiographically inspired drama The Years Between about the unexpected return of a senior officer, thought killed in action, who finds that his wife has taken his seat as Member of Parliament and has started a romantic relationship with a local farmer. It was first staged at the Manchester Opera House in 1944 and then transferred to London, opening at Wyndham's Theatre on 10 January 1945, starring Nora Swinburne and Clive Brook. The production, directed by Irene Hentschel, became a long-running hit, completing 617 performances. It was revived by Caroline Smith at the Orange Tree Theatre in Richmond upon Thames on 5 September 2007, starring Karen Ascoe and Mark Tandy.

Her third play, September Tide, portrays a middle-aged woman whose bohemian artist son-in-law falls for her. The central character of Stella was originally based on Ellen Doubleday, the prominent wife of a United States book publisher. It imagined what Ellen might have been in an English setting and in different circumstances. Again directed by Irene Hentschel, it opened at the Aldwych Theatre on 15 December 1948 with Gertrude Lawrence as Stella. It closed in August 1949 after 267 performances.

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