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Imagination Philosophical Aesthetic Wordsworth German Creative Revolutionary Volume

Front Biographia Literaria
Back a philosophical and autobiographical work by Coleridge in 1817
unsystematic, inexhaustibly communicative, and united to a single literary register, it is entirely lacking in the aesthetic and recapitulatory finish of conventional autobiography
begins with his associations with Wordsworth and German philosopher , and philosophy from Aristotle to Hartley and the challenge and ends infrequently in medias res.

important rhetorical matters are forced to queue behind passages of advice to would-be writers and detailed enumeration of the practical difficulties of publishing and editing journals
his method is excitingly oblique and inspirational , the moment of insight sudden and often wonderfully incandescent
its philosophical underlying is human creativity
his famous definition of the creative intelligence or imagination based on German philosophers
relations between subjectivity and objectivity, self and world, speculative reason and rational understanding

he envisages the substitution of a dynamic and progressive aesthetic culture for the grievously divided political cultures of the revolutionary and poet revolutionary era.
its second volume is mostly about Wordsworth and essays on Shakespeare and difference between prose and poetry
in this volume focus will change into inner preconditions and workings of authentic imagination
its influence of imagination idea and creative process is still remain

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