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Front Marxist criticism
Back Marxist literary criticism is a loose term describing literary criticism based on socialist and dialectic theories. Marxist criticism views literary works as reflections of the social institutions from which they originate. Most Marxist critics who were writing in what could chronologically be specified as the early period of Marxist literary criticism subscribed to what has come to be called "Vulgar Marxism." In this thinking of the structure of societies, literary texts are one register of the Superstructure, which is determined by the economic Base of any given society. Therefore, literary texts are a reflection of the economic Base rather than "the social institutions from which they originate" for all social institutions, or, more precisely human social relationships, are in the final analysis determined by the economic Base. According to Marxists, even literature itself is a social institution and has a specific ideological function, based on the background and ideology of the author. The English literary critic and cultural theorist Terry Eagleton defines Marxist criticism this way:

Marxist criticism is not merely a 'sociology of literature', concerned with how novels get published and whether they mention the working class. Its aim is to explain the literary work more fully; and this means a sensitive attention to its forms, styles and, meanings. But it also means grasping those forms, styles and meanings as the product of a particular history.[1]

The simplest goals of Marxist literary criticism can include an assessment of the political 'tendency' of a literary work, determining whether its social content or its literary form are 'progressive'. It also includes analyzing the class constructs demonstrated in the literature. Further, another of the ends of Marxist criticism is to analyze the narrative of class struggle in a given text. Does the text serve to perpetuate the ruling class ideology; to subvert that ideology, such as William Morris's News from Nowhere; or to signify both a perpetuation and subversion of the dominant ideology, such as in the works of Charles Dickens with Hard Times being the novel that most openly textualizes such a double signification as it offers a damning criticism of capitalism while also and at the same time seeking a perpetuation of a class-structured society.

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