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Malevole Pietro Mendoza Duke Pietro's Malcontent Play Court

Front The Malcontent
Back A play
John Marston
1604

The Malcontent is an early Jacobean stage play written by the dramatist and satirist John Marston ca. 1603. The play was one of Marston's most successful works.

The Malcontent is widely regarded as one of the most significant plays of the English Renaissance; an extensive body of scholarly research and critical commentary has accumulated around it.[1]

The court of Duke Pietro of Genoa is abuzz with talk of their mysterious new guest, Malevole. While not in his chamber performing discordant music, Malevole spends his time openly criticizing the court and its courtiers, steadfastly refusing to engage in any sort of flattery. While this earns him the ire of many, he is embraced by Pietro, as he "gives good intelligence" to his spirit, and makes him "understand those weaknesses which others flattery palliates." Having earned Pietro's trust and respect, Malevole reveals that Pietro's wife, Aurelia, has been carrying on an affair with Pietro's adopted heir and protégé, Mendoza. Malevole further incites Pietro against the pair by declaring the situation most unnatural, as cuckolding is a creation of woman rather than God, and by highlighting the incestuous nature of the adultery.

As the enraged Pietro rushes off to confront Mendoza, Malevole meets with his friend Celso. It is revealed that Malevole is, in fact, Altofronto, the former Duke of Genoa, deposed in a political coup staged by Mendoza on behalf of Pietro, made powerful through an alliance with Florence solidified by his marriage to Aurelia. Malevole, with the help of his spy Celso, has been learning the strengths, weaknesses, and secrets of his enemies, biding his time in the usurper's court until the opportune moment to strike presents itself. While Malevole schemes in Genoa, his wife Maria has been imprisoned, faithfully awaiting his return.

Meanwhile, Pietro confronts Mendoza, accusing him of treachery and adultery. Although Pietro threatens to kill him. Mendoza, knowing that Aurelia has not only been unfaithful with him, but also with the courtier Ferneze, shifts the Duke's attention, revealing Ferneze's treachery. He convinces the Duke to break into Aurelia's chambers; if he should find Ferneze there, and he attempts to flee, that should serve as proof of their adultery. For the most part, Mendoza's plan works, yet unbeknownst to him Ferneze is not killed but escapes, injured. The wounded Ferneze seeks out Altofronto, seeking aid and protection, both of which the former Duke provides.

Later, Mendoza and Aurelia plot to murder Pietro, with Aurelia promising to use her influence with Florence to have Mendoza appointed Duke of Genoa after her husband's death. Mendoza approaches Malevole to carry out the murder while Pietro is away hunting. Malevole accepts the task and gifts Mendoza two boxes, both of which contain fumes. The fumes of one box cause those who inhale to fall into a deep, deathlike sleep for twelve hours. The fumes of the second cause instant death. Impressed by Malevole's seeming willingness to aid him in his plans, Mendoza divulges his master plan. After Pietro's murder and his dukedom secured by Aurelia, he will publicize her infidelities and subsequently have her banished, making room for him to take Maria as a wife in order to solidify his claim over Genoa. Through Celso, Malevole knows that Maria, still faithful, has no part in Mendoza's schemes. He suggests they manufacture a witness to testify to seeing Pietro, anguished over Aurelia's infidelities, throw himself into the sea, in order to avoid any implication in his death and bolster Mendoza's claims of her infidelity.

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