Tom Stoppard is a Czech-born British playwright and screenwriter, celebrated for his innovative work on stage and screen, including "Rosencrantz and Guildenstern Are Dead" and the screenplay for "Shakespeare in Love." His writing often explores profound philosophical themes related to human rights and political freedom.
Tom Stoppard is a Czech-born British playwright and screenwriter, celebrated for his innovative work on stage and screen, including "Rosencrantz and Guildenstern Are Dead" and the screenplay for "Shakespeare in Love." His writing often explores profound philosophical themes related to human rights and political freedom.
Front | Tom Stoppard |
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Back | Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright and screenwriter. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, Travesties, The Invention of Love, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received an Academy Award and four Tony Awards. His work covers the themes of human rights, censorship and political freedom, often delving into the deeper philosophical thematics of society. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. In 2008, The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture". Quick facts: Born, Occupation … Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the three years prior (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright. It was announced in June 2019 that he had written a new play, Leopoldstadt, set in the Jewish community of early 20th Century Vienna. The play premiered in January 2020 at Wyndham's Theatre with Patrick Marber directing. Life and career Early years Stoppard was born Tomáš Straussler, in Zlín, a city dominated by the shoe manufacturing industry, in the Moravia region of Czechoslovakia. He is the son of Martha Becková and Eugen Straussler, a doctor employed by the Bata shoe company. His parents were non-observant Jews, members of a long-established community. Just before the German occupation of Czechoslovakia, the town's patron, Jan Antonín Baťa, transferred his Jewish employees, mostly physicians, to branches of his firm outside Europe. On 15 March 1939, the day the Nazis invaded Czechoslovakia, the Straussler family fled to Singapore, where Baťa had a factory. Before the Japanese occupation of Singapore (February 1942), Stoppard, his brother, and their mother were sent on to Australia. Stoppard's father remained in Singapore as a British army volunteer, knowing that, as a doctor, he would be needed in its defence. Stoppard was four years old when his father died. In the book Tom Stoppard in Conversation, Stoppard tells how his father died in Japanese captivity, a prisoner of war but has said that he subsequently discovered that Straussler was reported to have drowned on board a ship bombed by Japanese forces whilst trying to flee Singapore in 1942. In 1941, when Tomas was five, the three were evacuated to Darjeeling, India. The boys attended Mount Hermon School, an American multi-racial school, where Tomas became Tom and his brother Petr became Peter. In 1945, his mother, Martha, married British army major Kenneth Stoppard, who gave the boys his English surname and, in 1946, moved the family to England. Stoppard's stepfather believed strongly that "to be born an Englishman was to have drawn first prize in the lottery of life" —a quote from Cecil Rhodes —telling his 9-year-old stepson: "Don't you realise that I made you British?" setting up Stoppard's desire as a child to become "an honorary Englishman". "I fairly often find I'm with people who forget I don't quite belong in the world we're in", he says. "I find I put a foot wrong—it could be pronunciation, an arcane bit of English history—and suddenly I'm there naked, as someone with a pass, a press ticket." This is reflected in his characters, he notes, who are "constantly being addressed by the wrong name, with jokes and false trails to do with the confusion of having two names". Stoppard attended the Dolphin School in Nottinghamshire, and later completed his education at Pocklington School in East Riding, Yorkshire, which he hated. Stoppard left school at seventeen and began work as a journalist for the Western Daily Press in Bristol, never receiving a university education. Years later, he came to regret not going to university, but at the time he loved his work as a journalist and felt passionately about his career. He worked at the paper from 1954 until 1958, when the Bristol Evening World offered Stoppard the position of feature writer, humour columnist, and secondary drama critic, which took Stoppard into the world of theatre. At the Bristol Old Vic, at the time a well-regarded regional repertory company, Stoppard formed friendships with director John Boorman and actor Peter O'Toole early in their careers. In Bristol, he became known more for his strained attempts at humour and unstylish clothes than for his writing. Career Stoppard wrote short radio plays in 1953–54 and by 1960 he had completed his first stage play, A Walk on the Water, which was later re-titled Enter a Free Man (1968). He noted that the work owed much to Robert Bolt's Flowering Cherry and Arthur Miller's Death of a Salesman. Within a week after sending A Walk on the Water to an agent, Stoppard received his version of the "Hollywood-style telegrams that change struggling young artists' lives." His first play was optioned, staged in Hamburg, then broadcast on British Independent Television in 1963. From September 1962 until April 1963, Stoppard worked in London as a drama critic for Scene magazine, writing reviews and interviews both under his name and the pseudonym William Boot (taken from Evelyn Waugh's Scoop). In 1964, a Ford Foundation grant enabled Stoppard to spend 5 months writing in a Berlin mansion, emerging with a one-act play titled Rosencrantz and Guildenstern Meet King Lear, which later evolved into his Tony-winning play Rosencrantz and Guildenstern Are Dead. In the following years, Stoppard produced several works for radio, television and the theatre, including "M" is for Moon Among Other Things (1964), A Separate Peace (1966) and If You're Glad I'll Be Frank (1966). On 11 April 1967 – following acclaim at the 1966 Edinburgh Festival – the opening of Rosencrantz and Guildenstern Are Dead in a National Theatre production at the Old Vic made Stoppard an overnight success. Jumpers (1972) places a professor of moral philosophy in a murder mystery thriller alongside a slew of radical gymnasts, and Travesties (1974) explored the 'Wildean' possibilities arising from the fact that Vladimir Lenin, James Joyce, and Tristan Tzara had all been in Zurich during the First World War. In his early years, he also wrote extensively for BBC radio, often introducing surrealist themes. He has also adapted many of his stage works for radio, film and television winning extensive awards and honours from the start of his career. His latest original radio production, Darkside (2013), has been written for BBC Radio 2 to celebrate the 40th anniversary of Pink Floyd's album, The Dark Side of the Moon. Stoppard has written one novel, Lord Malquist and Mr Moon (1966), set in contemporary London. Its cast includes the 18th-century figure of the dandified Malquist and his ineffectual Boswell, Moon, and also cowboys, a lion (banned from the Ritz) and a donkey-borne Irishman claiming to be the Risen Christ. In the 1980s, in addition to writing his own works, Stoppard translated many plays into English, including works by Sławomir Mrożek, Johann Nestroy, Arthur Schnitzler, and Václav Havel. It was at this time that Stoppard became influenced by the works of Polish and Czech absurdists. He has been co-opted into the Outrapo group, a far-from-serious French movement to improve actors' stage technique through science. Stoppard has also co-written screenplays including Shakespeare in Love and Indiana Jones and the Last Crusade. Spielberg states that though Stoppard was uncredited, "he was responsible for almost every line of dialogue in the film". Stoppard also worked on Star Wars: Episode III – Revenge of the Sith, though again Stoppard received no official or formal credit in this role. He worked in a similar capacity with Tim Burton on his film Sleepy Hollow. In 2008, Stoppard was voted number 76 on the Time 100, Time magazine's list of the most influential people in the world. Stoppard serves on the advisory board of the magazine Standpoint, and was instrumental in its foundation, giving the opening speech at its launch. He is also a patron of the Shakespeare Schools Festival, a charity that enables school children across the UK to perform Shakespeare in professional theatres. In July 2013 Stoppard was awarded the PEN Pinter Prize for "determination to tell things as they are." Stoppard was appointed president of the London Library in 2002 and Vice-President in 2017 following the election of Sir Tim Rice as President.. In July 2017, Stoppard was elected an Honorary Fellow of the British Academy (HonFBA), the United Kingdom's national academy for the humanities and social sciences. Stoppard was appointed Cameron Mackintosh Visiting Professor of Contemporary Theatre, St Catherine’s College, Oxford, for the academic year 2017–2018. |
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