The U.S.A. trilogy comprises John Dos Passos' novels The 42nd Parallel (1930), 1919 (1932), and The Big Money (1936). First published in a single volume in 1938, the trilogy employs experimental narrative modes, including "Newsreels," "Camera Eye" sections, biographies, and fictional narratives, to depict American society during the first three decades of the 20th century.
The U.S.A. trilogy is a series of three novels by John Dos Passos: The 42nd Parallel (1930), 1919 (1932), and The Big Money (1936). Published together in 1938, the trilogy uses experimental techniques like "Newsreels," "Camera Eye," biographies, and fictional narratives to explore American society in the early 20th century.
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| Back | The U.S.A. trilogy is a series of three novels by American writer John Dos Passos, comprising the novels The 42nd Parallel (1930), 1919 (1932) and The Big Money (1936). The books were first published together in a volume titled U.S.A. by Harcourt Brace in January 1938. Quick facts: Author, Country … The trilogy employs an experimental technique, incorporating four narrative modes, fictional narratives telling the life stories of twelve characters, collages of newspaper clippings and song lyrics labeled "Newsreel", individually labeled short biographies of public figures of the time such as Woodrow Wilson and Henry Ford and fragments of autobiographical stream of consciousness writing labeled "Camera Eye". The trilogy covers the historical development of American society during the first three decades of the 20th century. In 1998, the Modern Library ranked U.S.A. 23rd on its list of the 100 best English-language novels of the 20th century. The four narrative modes In the fictional narrative sections, the U.S.A. trilogy relates the lives of twelve characters as they struggle to find a place in American society during the early part of the 20th century. Each character is presented to the reader from his/her childhood on and in free indirect speech. While their lives are separate, characters occasionally meet. Some minor characters whose point of view is never given crop up in the background, forming a kind of bridge between the characters. "The Camera Eye" sections are written in 'stream of consciousness' and are an autobiographical Künstlerroman of Dos Passos, tracing the author's development from a child to a politically committed writer. Camera Eye 50 arguably contains the most famous line of the trilogy, when Dos Passos states upon the executions of Sacco and Vanzetti: "all right we are two nations." The "Newsreels" consist of front page headlines and article fragments from the Chicago Tribune for The 42nd Parallel, the New York World for Nineteen Nineteen and The Big Money, as well as lyrics from popular songs. Newsreel 66, preceding Camera Eye 50, announcing the Sacco and Vanzetti verdict, contains the lyrics of "The Internationale." The biographies are accounts of historical figures. The most often anthologized of these biographies is "The Body of an American", which tells the story of an unknown soldier who was killed in World War I which concludes Nineteen Nineteen. The separation between these narrative modes is rather a stylistic than a thematic one. Some critics have pointed out connections between the fictional character Mary French in The Big Money and journalist Mary Heaton Vorse, calling into question the strict separation between fictional characters and biographies. Coherent quotes from newspaper articles are often woven into the biographies as well, calling into question the strict separation between them and the "Newsreel" sections. The fragmented narrative style of the trilogy later influenced the work of British science-fiction novelist John Brunner. It also influenced Jean-Paul Sartre's trilogy The Roads to Freedom.[citation needed |
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